Weed
'n' Feed
In the Biblical book of Revelation, the apostle John prophesied
the end of the world as it stands today, when four mythological
horsemen will bring war, famine, pestilence, and fiery
death to all corners of the earth.
But John never foretold what would happen in the meantime.
Suburbia is rapidly descending upon us. Houses in myriad
shades of beige are sprouting like dandelions in the fields
of rural America. Four-wheel-drive vehicles -- most of
which will never feel dirt under their wheels unless a
young boy has to relieve himself on the highway -- clog
the streets. Neighborhood associations are growing and
neighborhoods shrinking. (Yet, ironically, the definition
of “neighborhood” has also expanded to mean
“strip mall parking lot” - that is, if you
believe Applebees’ advertising.) Most of all, though,
commercial zoning has ensured that there will soon be
a Wal-Mart, Blockbuster, McDonalds, CVS, and Starbucks
in every town in the nation.
Yes, it’s coming...
The Suburbalypse.
The four horsemen have boarded their mounts at farms far
beyond zoning laws, have wedged their robes into walk-in
closets, and have picked up shiny new vehicles from which
to spread destruction while they wait for their final
mission.
The first drives a Platinum-colored Hummer H2. She is
a reedy woman, most likely an executive wife, with bright
acrylic nails in need of a fill. While she drives, she
makes a string of cell-phone calls to her two high school-aged
sons, her husband, and the contractor who is renovating
the kitchen. At stoplights, she uses a calculator with
acrylic-jewel keys to balance her checkbook. She feels
safe in her H2, and her husband feels safe knowing that
she is protected by the largest vehicle available.
The second drives a Honda Accord, its Redondo Red Pearl
paint reflecting the haze of polluted air and foregone
dreams. The driver is a middle-aged office worker, so
nondescript as to be of indeterminate gender and age.
He/she purchased the Honda because of its reliability,
yes, but more because of its popularity. S/he wanted to
purchase the coupe instead of the sedan, but the San Marino
Red paint on that model just seemed to stand out too much.
The third drives a black Passat wagon with a toddler in
the back seat and a suction-cup Winnie the Pooh shade
on the window. He is a young professional man, who looks
strangely uncomfortable in khakis, a golf shirt, and an
Abercrombie baseball cap. His wife sits next to him, wearing
yoga pants and Keds; she is expecting their second child.
The floor is littered with Cheerios, dirty pacifiers,
and Bob the Builder toys. The back of the car is full
of paint and textured sponge rollers for the nursery in
their new home.
The fourth, an active older man, arrives on a riding mower,
wearing cargo shorts and a short-sleeve plaid dress shirt.
Behind him sits a yellow Labrador retriever named Max.
Together they mow and seed countless acres of land, then
rid it of vermin wildlife. Lush grass sprouts as far as
the eye can see. Just beyond that horizon, houses emerge,
wraithlike, from the ground, each with a new plot of land
to clear, seed, and protect.
When these drivers have set off to fulfill the destiny
of suburbia, we will see before us the souls of all those
who lost family businesses, ethnic heritage, identities,
and ideas. These brave martyrs will show us the way to
reconcile ourselves with a way of individuality that is
now hopelessly extinct. Only through rediscovering that
individuality will we be able to join their ranks.
The days are fast approaching when suburbia will fulfill
this apocalyptic destiny. The fittest few retail, fast-food,
financial, media, housing, and “lifestyle”
conglomerates will monopolize our economy. The nuclear
family will grow in power. Safety and homogeneity will
be coveted. Every city will have the same pharmacies,
the same restaurants, and the same stores; the old philosophy
of “vacation is exotic and unusual!” will
be replaced with “vacation is just like home!”
And, finally, tract housing and mixed-use developments
will turn our amber waves of grain and purple mountains
into a sea of emerald-green, pristine Kentucky bluegrass,
with pitted iron sculptures of livestock to evoke feelings
of things called “farms” that exist only in
memory.
The horsemen had better make sure they rescue their horses
in time.
~~~~~
Donny
Seven is an occasional contributor to the
footnote, and has also been known to loathe conformity.